{"id":3406,"date":"2021-04-30T05:30:44","date_gmt":"2021-04-30T05:30:44","guid":{"rendered":"http:\/\/photomuse.in\/?p=3406"},"modified":"2021-12-08T06:02:44","modified_gmt":"2021-12-08T06:02:44","slug":"vivitar-v3000s-1994-slr-camera-photomuse-collection-2015-donation-of-mr-p-m-prabhu","status":"publish","type":"post","link":"https:\/\/photomuse.in\/index.php\/2021\/04\/30\/vivitar-v3000s-1994-slr-camera-photomuse-collection-2015-donation-of-mr-p-m-prabhu\/","title":{"rendered":"Vivitar V3000s, 1994, SLR Camera, PhotoMuse Collection, 2015, Donation of Mr. P.M. Prabhu."},"content":{"rendered":"<p>This is a fully manual 35mm film SLR camera. It takes K-mount (Pentax bayonet) lenses. It has a cast alloy chassis with plastic covers. It has a hot-shoe flash socket, internal light meter (activated by pushing the shutter release button halfway) manual film advance, and a screw thread for the remote shutter release cord. It has a flash sync terminal and a self-timer, but no automatic exposure capability. The V3000s was manufactured in China in 1994 for distribution by Vivitar. It is a derivative of the Yashica FX-3. In the late 1990s, the V3000s received an update and became V3000. There is no apparent difference between the two models other than color.<\/p>\n<p>Lens: Vivitar 50mm 1:1.7. ISO range: 25 \u2013 3200. Shutter speed range: 1\/2000 to 1s + Bulb (flash sync indicated at 1\/125). Viewfinder: eye-level pentaprism, 3 LED exposure display. Focusing: horizontal split image with microprism collar. Meter: TTL, center-weighted averaging. Self-timer: mechanical, 10 sec delay.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a fully manual 35mm film SLR camera. It takes K-mount (Pentax bayonet) lenses. It has a cast alloy chassis with plastic covers. It has a hot-shoe flash socket, internal light meter (activated by pushing the shutter release button halfway) manual film advance, and a screw thread for the remote shutter release cord. It&hellip;<\/p>\n","protected":false},"author":2,"featured_media":3407,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19,22],"tags":[],"_links":{"self":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts\/3406"}],"collection":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/comments?post=3406"}],"version-history":[{"count":2,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts\/3406\/revisions"}],"predecessor-version":[{"id":3702,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts\/3406\/revisions\/3702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/media\/3407"}],"wp:attachment":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/media?parent=3406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/categories?post=3406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/tags?post=3406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}