{"id":3105,"date":"2020-10-22T08:33:57","date_gmt":"2020-10-22T08:33:57","guid":{"rendered":"http:\/\/photomuse.in\/?p=3105"},"modified":"2020-10-22T08:33:57","modified_gmt":"2020-10-22T08:33:57","slug":"yashica-fx-3-super-2000-1986-35mm-slr-camera-photomuse-collection-2017-donation-of-mr-anver-sadhik","status":"publish","type":"post","link":"https:\/\/photomuse.in\/index.php\/2020\/10\/22\/yashica-fx-3-super-2000-1986-35mm-slr-camera-photomuse-collection-2017-donation-of-mr-anver-sadhik\/","title":{"rendered":"Yashica FX-3 Super 2000, 1986, 35mm SLR Camera, PhotoMuse Collection, 2017, Donation of Mr. Anver Sadhik."},"content":{"rendered":"<p>Yashica FX-3 was a manually-operated 35mm single-lens reflex camera released by Yashica in 1979. In 1986, the FX-3 Super was succeeded by the FX-3 Super 2000. It was available in black and chrome finishes, with the shutter speed range extended to 1\/2000 and a wider ISO range from 25 &#8211; 3200. It had an exposure meter with a simple 3-LED reading in the viewfinder and no automatic metering or focusing modes. One of the greatest attributes was that it would accept all manual-focus Yashica \/ Contax lenses that were manual-focus.<\/p>\n<p>Lens: Yashica 50 mm 1:9. Flash Synchronization: Hot Shoe mount, synchronizes at 1\/125sec. or slower. TTL flash: No. Self-Timer: Mechanical, 10-sec. delay, mirror pre-fire feature when activated. Viewfinder: Eye-level, pentaprism type 92% FOV, and 0.91X magnification (with 50mm lens at infinity).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yashica FX-3 was a manually-operated 35mm single-lens reflex camera released by Yashica in 1979. In 1986, the FX-3 Super was succeeded by the FX-3 Super 2000. It was available in black and chrome finishes, with the shutter speed range extended to 1\/2000 and a wider ISO range from 25 &#8211; 3200. It had an exposure&hellip;<\/p>\n","protected":false},"author":2,"featured_media":3106,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19,22],"tags":[],"_links":{"self":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts\/3105"}],"collection":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/comments?post=3105"}],"version-history":[{"count":1,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts\/3105\/revisions"}],"predecessor-version":[{"id":3107,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/posts\/3105\/revisions\/3107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/media\/3106"}],"wp:attachment":[{"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/media?parent=3105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/categories?post=3105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/photomuse.in\/index.php\/wp-json\/wp\/v2\/tags?post=3105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}